Malibu bebar, od legimah
mechonat tupim al baglamah
ve'im at rotzah oti, mama
az boi shvi iti, ulai nazmin kamah
beVIP al yayin tov
neshev beyachad, nafsik lachshov
uchsheyagidu "haboker ba"
(nikba le'od mesibah ve'od mesibah)
zeh hazman lakum, zeh hazman lakum.

Chorus:
Kum al haraglaim, lo tsarich sibot
ten lo bakapaim, lamah lechakot
ve'im ata lo yode'a ech az zeh hazman lilmod
zuz mitsad letsad, whoa, whoa
kol mi sheyoshevet, yallah, la'amod
kol mi sherokedet, tekabel kavod
ve'im ata lo yode'a ech az zeh hazman lilmod
zuz mitsad letsad, whoa, whoa.

Lo turkit o yevanit, rak ivrit al habeat,
kach shalosh larosh umumi mevashlim od lahit
kablu ta'bum bum bum,
habasim bom lapanim.

VeDJ, ten ten, ten betaklitim yeshanim
scratch, lakana'im lo kal iti
ki kol hakahal iti, zorem iti
al ketsev shel darbukah, achuz dibuk
az tnu li et ha'ozen, banot, tazizu moten,

noten betofim im gitarah
bas barek'a
shelo otzeret lereg'a
az yallah, bou, bou, bou, bou
kumbanti pnimah,
amru li: "wallah, ya allah
rak biglal shehu
al haskalah
yesh lo yambah ksharim lemalah
(mah?)
kshe'al harachavah
ani oleh ani kvar sham lechol halailah
wai, lechol habachurot kivun alai
ki yesh alai ta'style.

amarti: lo nach, gam lo be'or harishon
nish'ar acharei ha'after,
lo holech lishon
ani hasibah shebanot ba'ot lamesibah
az mi tavi mispar,
ulai ani avi mispar
al habar ani parpar
ki kacha ba li.

chorus

Kmo bouzouki al haketsev at yoda'at lazuz
mama, at levad shamah, shamah,
eizeh min bizbuz
yo, kshemezaheh ta'matarah
dofek chiyuch shel shed tazmani
lo tsarich fason,
gling gling o mani mani
kulam bamo'adon, tagidu "hey ey ho"
kol ha'anashim yod'im, hamesibah zeh poh.

Hey yo,
habas nikra
sdakim batikrah aval lo nifrosh
negalgel ta'oto pnimah lo nachrosh
shalosh larosh nish'arim erim
tarim od kos, tarim od kos, tarim!

Chorus

Malibu in the bar, another sip,
beat machine on the Baglama*
and if you want me, mama
come'n sit with me, maybe we'll get a few
in the VIP over good wine
we'll sit together, and stop thinking,
and when they'll say "the morning comes"
(we'll set up for another party, another party)
it's time to get up, time to get up.

Chorus:
Get on your feet, no reasons needed,
clap your hands, why wait
and if you don't know how then it's time to learn
move from side to side, whoa, whoa
whoever is sitting, c'mon, stand
whoever is dancing, will get respect
and if you don't know how then it's time to learn
move from side to side, whoa, whoa.

Not turkish or greek, just hebrew over the beat,
it's how Shalosh Larosh 'n Momi cook up another hit
take the boom boom,
basses 'boom' in the face.

and the DJ, put on the old records
scratch, with me it isn't easy for the jealous ones
'cuz the whole crowd is with me, flows with me
over the beat of the darbukah, a whole obsession
so listen up, girls, move the hip,

I 'm giving beats with a guitar,
bass in the background
that doesn't stop for a moment.
so c'mon, come, come, come, come
I tricked my way in,
they told me "ohmigod, yo, c'mon"
Just because he is somebody of importance
(on a scale)
he has many connections at the top hooked up
(what?)
when I get up on the dancefloor
I'm there for the whole night
wai, all the girls desire me
'cuz i got da style.

I said: no rest, even at sunup
I stay after my "After" has lapsed*
I don't go to sleep
I'm the reason girls come to party
so who will bring a number,
maybe i'll bring a number
I'm loose in the bar
'cuz I feel like it.

chorus

Like bouzouki on the beat, you know how to move
mama, you're alone there, there,
what a waste
Yo, when the target is spotted,
I spread a Tasmanian devilish smile
no need no need to show off
bling bling or money money
everyone in the club, say: "hey ey ho"
all the people know, the party is here.

Hey yo,
the bass is reaping (loud) Bouzouki*
cracks in the ceiling but we won't leave
we'll roll the car inside we won't plough
Shalosh Larosh stays awake
lift another cup, lift another cup, lift!

Chorus